Numbers 23:23

Numbers 23:23 (What hath God wrought!), 2018
Solar powered shipping container, smoke machine, programable timer, lock and chain
Solar Studios at Rice University, Houston Tx
Dimensions variable

Act I: Waiting Room

Act I: Waiting Room (detail), 2017
Charcoal drawing, beta fish, candy bowl, succulent, sign-in book, bell and pen.
dimensions variable

Act III: Columns


Act III: Columns (1-3), 2015-2016
Artificial turf, black beauty abrasive, plaster, cement, wax, chocolate, bacon fat, Vaseline, clay, resin, foam, glass, ink, debris, found objects, speakers, and record player
Dimensions variable

Partially Buried Cereal Aisle

Partially Buried Cereal Aisle, 2013
Cereal boxes, gondola shelving, concrete and hardware
48″ X 60″ X 24″

Ready Ice

Ready Ice (multiples), 2016
Urethane resin casts of ice cubes
Dimensions variable



Wonderwall (karaoke booth), 2014
Shower curtains, shower fixture and caddy, iPad, microphone, headphones, speaker

Wonderwall was a site-specific installation that consisted of a karaoke booth that mimicked a shower stall.  Individuals were instructed to sing along to the music they heard threw headphones as the lyrics appeared on a monitor in front of them. The a-cappella vocals were audible throughout the gallery space during the exhibition. Each performance was recorded and layered into a single track, creating the illusion of a choir.

Several Ways to Start a Fire

Several Ways to Start a Fire, 2013
Twigs, rope, steel wool, battery, magnifying glass, aluminum can, chocolate, underwear, close pins, condom, water, and hardware



Damemoto, 2012
Reclaimed wood, weeds, lights, hardware 


Transpacific (a line drawn from Texas to Japan), 2012
194 #2 pencils, paper, steel, pencil sharpeners
40″w x 72″h

Escape Plan

Escape Plan, 2012
Drafting compass, drywall, motor, hardware

Escape Plan from Bradly Brown on Vimeo.

Purification Station

Purification Station, 2013
Plastic, Trinity River water, pecan & rose artesian charcoal, white marble chips, beach sand from Exotic Locations™, pump, and glass beverage dispenser
50″w x 61″h x 35″d

Diamond Crash

Diamond Crash, 2013
Resin, string, balloons, helium

Impala Eardrums

Impala Eardrums, 2008
Salt water on car door
39.5″ x 37″

15,540 Miles

15,540 Miles, 2002
School desk, #2 Pencils, sawdust, chalkboard, cyanotype on carpet
Variable dimensions


Dopamine, 2020
Single-channel video

Side A’s

Side A‘s, 2016
Silicone mold, and unique resin cast LP. Each color of silicone signifies a different vinyl record used to create the mold. 
14” x 14”


Cuts, 2015
Digital prints
10” x 13″ each


Matchbooks, 2010
Digital prints from film scans
Varible Dimensions

Beastly Words

Road Agent, Dallas, TX • 09.07

Beastly Words explores the fundamental flaw of language as an expression of our deepest selves, and the contradictions of language as image. Pained, repetitive words and phrases are subdued and channeled into new forms, given life as watery zebras, muscular tigers, an anthropomorphized WWII fighter plane, and breathless track runners.

Brown first creates film negatives from mysterious scrawlings recovered from a university library trash can—the aching and robotic exercises of an unknown author. Brown’s subsequent use of older photographic techniques to recontextualize the images, through Cyanotype and Van Dyke processes, naturally limits his palette to a calming range of organic browns and blues, fading or deepening depending on exposure to light. He imposes a more natural and visceral world on the underlying fumbling language, as well as foiling the hyper-Photoshopped slickness of our mass-media world.


Road Agent, Dallas, TX • 04.06

“Boys will be boys”— or so the saying goes. In Bradly Brown’s first exhibit at Road Agent, he offers theatrical photographs that toy with questions of how young men construct their identities as they gradually mature into adulthood. In several of Brown’s photographs the artist and his friends playact with plastic animal masks hiding their faces. An Arcadian narrative unfolds, juxtsposing homoerotic yearnings with a suggestive menance. The most striking photo of the show, however, extends beyond a beautifully rendered, but simply conceived drama. Dominated by rich orange hues, a fractured and deteriorating wall opens into a small room that houses a solitary schoolboy, hands tied to a chair. This luxuriously colored photograph and the threatening mystery it encapsulates is as viscerally enticing as it is emotionally unsettling.

Flash Art Magazine, Matthew Bourbon

Three Trees

Three Trees, 2012
Unique digital prints
13″ x 17″

Six Knots

Six Knots, 2016
Unique digital prints
24″ x 18″ each

Drawing Stairs

Drawing Stairs (1-9), ongoing
Graphite / ink on paper

Donkey Punch

Donkey Punch
Mixed media on chalk board
48″ x 72″

Fairytale of New York

Fairytale of  New York
paint, thread, marker, ink
48″ x 36″

Love’s Last Shift

Love’s Last Shift
mixed media on canvas
38″ x 36″


HOMECOMING! Committee is: Christopher Bond, Bradly Brown, Ryan Goolsby, Courtney Hamilton, Timothy Harding, Shelby Meier, Devon Nowlin, Kris Pierce, Gregory Ruppe, Alden Williams, Briana Williams, and Tiffany Wolf.

HOMECOMING! Committee seeks to establish initiatives and venues in which all manner of creative individuals can operate as co-collaborators engaging in the practice of this agency. Interactive and participatory, HOMECOMING events create an environment to springboard artists into action and build networks for future collaborations. This fortification of creative resources will reposition the artist as an individual that shapes cultural discourse, rather than a member of society that merely reacts to it.

For More Information about HOMECOMING! Committee, please visit


Launch Party, 2011

Hands on an Art Body, 2012

Post Communiqué , 2013

Friskt kopplat, hälften brunnet. (Quickly connected, half burned.), 2013

The Eagle has Landed, 2013

MacGuffin, 2013-2014


Interview Etiquette Before the Interview

1.  Your hair should be trim, clean and combed.
2.  Nails should be clean and trimmed.
3.  Be conservative and err on the side of caution.  If the company does not have a dress code, remember that its better to overdress than underdress.
4.  Arrive at least 10 minutes before your interview.  The extra minutes will also give time to fill out any forms or applications that might be required.
5.  Turn off your cell phone or pager.
6.  Don’t assume that whoever greets you is the receptionist.

Interview Etiquette During the Interview

1.  Make a positive and professional first impression by being assertive and giving a firm handshake to each interviewer and addressing each interviewer by name.
2.  Reinforce your professionalism and your ability to communicate effectively by speaking clearly and avoiding “uhs”, “you knows”, and slang.
3.  Use appropriate wording.  You won’t receive extra points for each word that has more than 10 letters.  Use technical terms only when appropriate to the question.

Interview Etiquette After the Interview

1.  Shake each interviewer’s hand and thank each interviewer by name.
2.  Send a thank you note as soon after the interview as soon as possible.


On Leapig from Airplanes, 2006
Splashlight Studio, New York, NY • 01.06