I take ordinary objects and asks them to do what they weren’t meant to. These gestures are often slightly absurd, and that opens a way to question the purpose of the object and the assumptions that surround it.

Much of my work unfolds over time. It asks what it means to wait, to repeat an action, or to keep following a plan when the result is unclear. I’m drawn to in-between states: a plan that might fail, an action that may or may not reach its goal. These moments make room for doubt, humor, and surprise.

Trained in photography and sculpture, I move between digital and physical processes. Software glitches, chemicals leave their marks, and intent drifts as it passes from hand to hand. Across all of it, I’m interested in where the natural and the technological meet, and in what blurs that line.

Chance, entropy, and the participation of others often complete the work. A viewer might wait for a resolution that comes late or never comes at all. Interaction becomes part of the work’s structure, and its outcome stays open. I want the work to invite a closer look at the everyday, and to leave viewers with something funny, strange, or quietly magical to carry away.