Tag: Animals

Impala Eardrums

Posted on March 25, 2009October 21, 2026

As Impala Murder, 2008
Salt water and hydrogen peroxide on car door
39.5″ x 37″

As Impala Murder is the cover art for Impala Eardrums: A Radium Sampler, a 2008 compilation from Table of the Elements’ Radium label. Both titles are anagrams of “A Radium Sampler.” Brown was also the art director, graphic designer and photographer for the release.

Brown found a Chevy Impala door in a Long Island junkyard and sanded it down to bare metal. He attached a stencil of a photograph to the door and sprayed it with a mix of salt water and hydrogen peroxide to cause it to rust. Once it dried, he removed the stencil, and the image was left behind formed in rust. Brown talks about the piece in this interview with KERA.

It was one of several projects Brown created through his graphic design work for the label, where several albums came with their own creative project. See also Donkey Punch and Side A.

Impala Eardrums — artwork by artist Bradly Brown. Rusted Chevy Impala car door as found, before sanding. As Impala Murder

Impala Eardrums — artwork by artist Bradly Brown. Chevy Impala car door sanded down to bare metal, before rusting. As Impala Murder

Donkey Punch, 2008

Posted on April 9, 2010October 21, 2026

Donkey Punch, 2008
Mixed media on chalkboard
48″ x 72″

Donkey Punch is the album cover for Megafaun’s Bury the Square, released in 2008 on the experimental label Table of the Elements. Brown drew the image in mixed media on a chalkboard and then photographed it for the cover. He was also the art director and graphic designer for the release. Read the album’s review on Pitchfork.

The drawing is an illustrated picture of the music industry and works as a cautionary tale about the life of a touring musician. The donkey stands in for the nomadic life of the road: a tour bus loaded with everything you own. Snakes, bats and con men surround it, figures that show one face but turn out to have two. The traveler keeps moving forward anyway and finds a way through them. The music itself is the real weapon, but sometimes it needs backup: help from those who build the path. That’s the shotgun, marked “This Machine Kills Fascists,” the slogan Woody Guthrie wrote on his guitar.

Donkey Punch was one of several projects Brown made through his design work for the label, where several albums came with their own creative project. See also Impala Eardrums and Side A.