Wonderwall, 2014

Wonderwall (karaoke booth), 2014
Shower curtains, shower fixture and caddy, iPad, microphone, headphones, speaker

Wonderwall was a site-specific installation that consisted of a karaoke booth that mimicked a shower stall.  Individuals were instructed to sing along to the music they heard threw headphones as the lyrics appeared on a monitor in front of them. The a-cappella vocals were audible throughout the gallery space during the exhibition. Each performance was recorded and layered into a single track, creating the illusion of a choir.

Wonderwall, 2014 — artwork by artist Bradly Brown


Side A, 2016

Side A, 2016
Silicone mold, and unique resin cast LP. Each color of silicone signifies a different vinyl record used to create the mold. 
14” x 14” each

Side A is a single silicone mold cast from five different vinyl LPs. Silicone was poured over one record, peeled away, and laid onto the next, building up layer by layer, with each color of silicone marking a different record.

Resin records cast from the mold carry that layered information and can be played. The five LPs melt into one another, an abstraction of both image and sound, so the record sounds different depending on where the needle drops.

The piece grew out of Brown’s graphic design work for the experimental music label Table of the Elements, where every release came with its own creative project: silkscreens made from rust on car doors (see Impala Eardrums), record titles carved into guitars for Rhys Chatham’s Guitar Trio Is My Life!, and an album cover drawn on a chalkboard and photographed for Megafaun’s Bury the Square (see Donkey Punch). The work never stopped at the music. In the video Rowdy Rubber Records, Brown walks through the process.