Dearman, 2026

Dearman, 2026
Mixed media: found objects, foam, plaster, and paint
Approx. 75″ × 50″ × 30″, dimensions variable

Exhibited in YARD, an exhibition series in Houston front yards organized by Chris Wicker, Anna Taylor, and Trent Teinert with support from The Idea Fund

Dearman is a cervitaur, a half-man, half-deer figure built from found objects, foam, plaster, and paint. Its name and structure come from DEAR MAN, a skill from Dialectical Behavior Therapy for asking clearly for what you need.

Presented in a front yard, Dearman stood with ten bags of ice tied to his wrists, five in each hand, weighing his arms down. Throughout the exhibition, visitors were invited to fill a helium balloon and tie it to his wrist. Over three to four hours, the Houston heat melted the ice, the balloons accumulated, and, with a final push from a gust of wind, both of his arms rose straight into the air.

The work depended on weather, time, and the people who wandered through the yard to complete it. In a gallery it would have been a sculpture with a set of instructions; in the open it became a slow public event. The final pose can be read as surrender, hands up, or as ascension, asking to be lifted.

Layer Cake, 2024

Layer Cake (San Miguel, Valmontone, & Cereal Aisle), 2024
Inkjet prints
24″ × 95″ each

Exhibited in Layer Cake, a group exhibition with Jonathan Paul Jackson and Xochi Solis at the University Gallery, Sam Houston State University, Huntsville, Texas.

Each panorama in Layer Cake was shot on an iPhone from a moving vehicle: a train, a car, or a shopping cart. Panorama mode expects a slow, steady sweep, so the motion breaks each scene into stretched, repeated, and misaligned slices full of digital glitches and distortion.

In the gallery, the prints hang alongside spools of tiny square stickers in red, green, blue, black, and white. Each sticker is a pixel. Visitors are invited to patch and repair the glitches, but every repair adds to the abstraction, turning the camera’s errors into a shared composition.

Each person becomes a pixel, and the image reaches its best resolution only when everyone takes part.