Dearman, 2026

Dearman, 2026
Mixed media: found objects, foam, plaster, and paint
Approx. 75″ × 50″ × 30″, dimensions variable

Exhibited in YARD, an exhibition series in Houston front yards organized by Chris Wicker, Anna Taylor, and Trent Teinert with support from The Idea Fund

Dearman is a cervitaur, a half-man, half-deer figure built from found objects, foam, plaster, and paint. Its name and structure come from DEAR MAN, a skill from Dialectical Behavior Therapy for asking clearly for what you need.

Presented in a front yard, Dearman stood with ten bags of ice tied to his wrists, five in each hand, weighing his arms down. Throughout the exhibition, visitors were invited to fill a helium balloon and tie it to his wrist. Over three to four hours, the Houston heat melted the ice, the balloons accumulated, and, with a final push from a gust of wind, both of his arms rose straight into the air.

The work depended on weather, time, and the people who wandered through the yard to complete it. In a gallery it would have been a sculpture with a set of instructions; in the open it became a slow public event. The final pose can be read as surrender, hands up, or as ascension, asking to be lifted.

Drawing Stairs, 2016–present

Drawing Stairs (1-9), ongoing
Graphite / ink on paper

Drawing Stairs is an ongoing series built on a play on words. Brown seeks out staircases in public places and draws them on whatever paper he finds nearby: torn scraps, loose notebook pages, and abandoned notebooks picked up along the way. Each drawing is made on site, in graphite or ink, while Brown holds himself in an awkward physical position near the stairs for as long as the drawing takes.

Working this way in public turns the act of drawing into a kind of performance. People passing by slow down, stop, and stare as they try to work out what he is doing. The title names both halves of the work: Brown is literally drawing stairs, and at the same time drawing stares.

The found paper carries its own history into each piece, with ruled lines, spiral-binding holes, stains, and torn edges sitting alongside the drawn steps, railings, and landings.