Act I: Waiting Room (detail), 2017
Charcoal drawing, beta fish, candy bowl, succulent, sign-in book, bell and pen.
dimensions variable
Category: DRAWING AND PAINTING
Transpacific
Transpacific (a line drawn from Texas to Japan), 2012
194 #2 pencils, paper, steel, pencil sharpeners
40″w x 72″h
Impala Eardrums
Impala Eardrums, 2008
Salt water on car door
39.5″ x 37″
Beastly Words
Road Agent, Dallas, TX • 09.07
Beastly Words explores the fundamental flaw of language as an expression of our deepest selves, and the contradictions of language as image. Pained, repetitive words and phrases are subdued and channeled into new forms, given life as watery zebras, muscular tigers, an anthropomorphized WWII fighter plane, and breathless track runners.
Brown first creates film negatives from mysterious scrawlings recovered from a university library trash can—the aching and robotic exercises of an unknown author. Brown’s subsequent use of older photographic techniques to recontextualize the images, through Cyanotype and Van Dyke processes, naturally limits his palette to a calming range of organic browns and blues, fading or deepening depending on exposure to light. He imposes a more natural and visceral world on the underlying fumbling language, as well as foiling the hyper-Photoshopped slickness of our mass-media world.
Three Trees
Three Trees, 2012
Unique digital prints
13″ x 17″
Six Knots
Six Knots, 2016
Unique digital prints
24″ x 18″ each
Drawing Stairs
Drawing Stairs (1-9), ongoing
Graphite / ink on paper
Donkey Punch
Donkey Punch
2008
Mixed media on chalk board
48″ x 72″
Fairytale of New York
Fairytale of New York
2008
paint, thread, marker, ink
48″ x 36″
Love’s Last Shift
Love’s Last Shift
mixed media on canvas
38″ x 36″
2005
Take Less Than You Need
Take Less Than You Need, 2002
Mixed media on canvas
43″ x 56″